Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments


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Kazimir Malevich Landscape with a Yellow House oil


Landscape with a Yellow House
Painting ID::  59704
Landscape with a Yellow House
Landscape with a Yellow House, 1906
Landscape_with_a_Yellow_House,_1906
   
   
     

Kazimir Malevich Bathers, oil


Bathers,
Painting ID::  59705
Bathers,
Bathers, 1908
Bathers,_1908
   
   
     

Kazimir Malevich Winter, oil


Winter,
Painting ID::  59706
Winter,
Winter, 1909
Winter,_1909
   
   
     

Kazimir Malevich Head of a Peasant Girl oil


Head of a Peasant Girl
Painting ID::  59715
Head of a Peasant Girl
Head of a Peasant Girl, 1912-1913
Head_of_a_Peasant_Girl,_1912-1913
   
   
     

Kazimir Malevich Bureau and Room oil


Bureau and Room
Painting ID::  59716
Bureau and Room
Bureau and Room, 1913
Bureau_and_Room,_1913
   
   
     

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     Kazimir Malevich
     1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments

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